BRYAN VALENZUELA

ON A BED OF CHAOS I'VE DREAMED DREAMS LIKE THIS.jpg
ON A BED OF CHAOS I'VE DREAMED DREAMS LIKE THIS.jpg

BRYAN VALENZUELA

5,000.00

ON A BED OF CHAOS I'VE MILKED THESE DREAMS

INK, ACRYLIC GEL ON TRANSFER PAPER

44 IN. X 32 IN.

2016

 

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BRYAN VALENZUELA

SACREMENTO, CALIFORNIA

Building images with the written word is my primary visual focus. Paragraphs, sentences, phrases, and fragments are all the DNA of my work. Similar to the concept of DNA, the language acts as both form and content. As with form, the text delineates figures and subjects layer upon layer as shading. Words varying in size from the minuscule and unreadable, to large and bold are used in a manner similar to crosshatching with pen and ink. As content, the language provides a sense of the inherent information and associations, metaphors and meanings embedded in everyday existence. The words come from a spectrum of sources ranging from original excerpts from journals, poems, songs, and automatic writings to quotes from popular culture, literature, science, and sacred texts. They are utilized as a meditation on the image itself in both literal and figurative ways. 

Foremost in each piece is a draughtsman-like attention to rendering in detail. A fascination with exactitude and precision which demands a constant process of image collection, and lengthy research into a subject matter. The images are gathered from multiple venues. Self-generated photographs, archive photos, old anatomical drawings, even star charts and architecture become the raw material with which to compose preliminary sketches in Photoshop. They are later translated onto large scale canvasses in mixed media. On a general level, the subject matter explores connections between perceived opposites. The work aims to weave disparate elements into a whole. An idea alluded to in the use of sewn scraps of canvas as a foundation. On a specific level, it seeks to combine concepts from the scientific and the spiritual, the mythic and the mundane. It searches for symbols that meld together interests in the natural world, psychology, religion, and astronomy to name a few. All of them becoming, piece by piece, the building blocks of each image.

ON A BED OF CHAOS I'VE MILKED THESE DREAMS

INK, ACRYLIC GEL ON TRANSFER PAPER, 44 IN. X 32 IN., 2016

Abstract designs in acrylic and watercolor, collaged text in the shape of a Moebius Strip, additional layers of acrylic paint, and a drawing in pen and ink done with thousands of handwritten words in a style similar to cross hatching.

A drawing technique involving the atomization of the figure by carving out shape and light with handwritten text in ink intermingled with other elements such as needle and thread, paint and collage.

Exploration of emotional states of mind in the push and pull of chaos vs. order ornamented with cyclical forms such as Moebius Strips or infinite loops.