DAVID SCOTT SMITH
A sculptor and mold maker who re-contextualizes familiar objects and textures often humorously, dealing with serious issues of excess and consumption. At a young age, Smith worked for his father in the family taxidermy business, re-animating dead animals into life-like forms. He found the irony of the process both humorous and beautiful, and that play with absurdity & beauty is evident in his work by observing the way he pairs natural objects into imaginative and surrealistic forms. Smith uses light, pattern and color as tools for unification and reordering.
David Scott Smith received his B.A. in English from Whitman College (Walla Walla, WA) and his M.F.A in Ceramics from Louisiana State University. He has exhibited nationally and has received many grants for both his work and collaborative interdisciplinary projects. His work can be found in the permanent collections of the Sonny Kamm Teapot Foundation and Southeastern Louisiana State University. Smith is currently completing a mold-making book (Voodoo Mold-Making); his work has also been featured in Pottery Making Illustrated and Ceramics Monthly.
Artist Member since 2014
MASTER OF FINE ARTS, LOUISIANA STATE UNIVERSITY
MOST RECENT EXHIBITION
monsters
june 2026
“I have always enjoyed making monsters for fun. My 7-year-old son, Randall, enjoys making monsters with equal enthusiasm. I don’t think I have ever experienced a greater joy than creating art with my wonderful child. When he is older he may not want to spend time with me, and so every minute we are together in the studio making pottery, or drawing, or in the woods exploring – these are the most significant events of my artistic career. This has been the best part of my adult life.
My brother died a couple of years ago…he had become a monster before he died. He was a horrible alcoholic and killed a girlfriend when they were both high because she complained about his breath. He died in prison from cirrhosis of the liver. The last time I saw him alive was actually in Baton Rouge-- he flew down for my show at the Baton Rouge Gallery -- and the first night I threw him out of our hotel room because he was so drunk and disgusting. I regret a lot of things about that night. At least now he visits me in my dreams, and in my dreams he’s a young man again, and still beautiful and strong with a loving heart.
For the last several years I have been going through a horrific divorce, and what has surprised me the most throughout all of this is that the person I loved and trusted has depicted me as the worst kind of person, over money and child custody. I’ve been called a monster many, many times. For years I have felt like a monster. I’ve been told that I’m a freak, and unworthy of love. For years I have questioned my value as a husband, my abilities as a father, my whole sense of self-worth.
Many nights I entertained evil fantasies of retribution and revenge. Every night I thought of my beautiful brother, and where his choices led him astray. Even at the worst moments of my life, art has reminded me of who I am. Every time, art has taken me by the hand, and led me back to who I am – usually that hand is my son Randall’s hand. Art is my power. It is my salvation. And yes, I joyfully create monsters.
This will be my last solo exhibition at the Baton Rouge Gallery. I love this gallery, and the folks who work here. I have been a member for about a decade, and my exhibitions here have been the highlights of those years. Without this gallery, I don’t think I would have developed as an artist, and I will continue to support the BRG gallery any way that I can. Thank you Baton Rouge Gallery!”
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary
Translucent Porcelain, Stoneware Hands and Feet, Thrift Store Clothes
37" x 19" x 9"
Translucent Porcelain, Stoneware Hands and Feet, Thrift Store Clothes
32" x 17" x 7"
Translucent Porcelain, Stoneware Hands and Feet, Thrift Store Clothes
2"' x 9" x 7"
Translucent Porcelain, Stoneware Hands and Feet, Thrift Store Clothes
60" x 28" x 7"
Translucent Porcelain, Stoneware Hands and Feet, Thrift Store Clothes
22" x 13" x 7"
Figures made with thrift store “stuffies” dipped in casting slip with other cast elements.
Figures made with thrift store “stuffies” dipped in casting slip with other cast elements.
This exhibition was presented alongside the latest works from Randell Henry and John Isiah Walton, from May 29 to Jun 24, 2026.
PREVIOUS WORKS
whiskey flask holder with secret compartment, stoneware fired to cone 1-3 in a woodfire/ soda kiln
whiskey flask holder with secret compartment, stoneware fired to cone 1-3 in a woodfire/ soda kiln
whiskey flask holder with secret compartment, stoneware fired to cone 1-3 in a woodfire/ soda kiln
whiskey flask holder with secret compartment, stoneware fired to cone 1-3 in a woodfire/ soda kiln
jug fired to cone 1-3 in a wood/soda atmosphere, cups and base stoneware
“Cocktail Cup with Chex Mix & Button”
Stoneware fired to cone 6 in oxidation
“Cocktail Cup with Broccoli & Pickle”
Stoneware fired to cone 6 in oxidation
“Cocktail Cup with Cookie & Pinecone”
Stoneware fired to cone 6 in oxidation
“Cocktail Cup with Pickle & Pinecone”
Stoneware fired to cone 6 in oxidation
Stoneware fired to cone 6 in oxidation with ceramic decals
Stoneware fired to cone 6 in oxidation
Making clay molds in NOLA and the construction of this teapot was featured in the magazine Pottery Making Illustrated, 2020
Stoneware fired to cone 6 in oxidation
Making clay molds in NOLA and the construction of this teapot was featured in the magazine Pottery Making Illustrated, 2020
Stoneware fired to cone 6 in oxidation
Making clay molds in NOLA and the construction of this teapot was featured in the magazine Pottery Making Illustrated, 2020

Low-fire Earthenware fired in a wood kiln with soda, borax, salt spray
Approx 14" x 8" Dimensions Vary